As zany as Ramis' early comedies were, they rigorously pursued a theme close to the heart of someone who grew out of the 1960s counterculture: characters rebelling against institutions, be they authoritarian college administrators and pampered rich kids (“Animal House”), a stuffy golf club (“Caddyshack”) or the military (“Stripes”). After the collapse of his first marriage and the flop of his 1986 comedy “Club Paradise” (with greedy developers as the institutional villain), the Jewish-raised Ramis immersed himself in Zen Buddhism.
“It's my shield and my armor in the work I do,” he said. “It's to keep a cheerful, Zen-like detachment from everything.”
Ramis’ later directorial efforts, starting with “Groundhog Day” and including “Stuart Saves His Family” (1995), “Multiplicity” (1996), “Analyze This” and his “Bedazzled” remake (2000), reflect a spiritual striving, exploring individuals' struggles with themselves more than outside forces.
Comparing his later to earlier comedies, Ramis told the Tribune: “The content's different, but it comes from the same place in me, which is to try to point people at some reality or truth.”
“To me,” he says, “that felt like a nice distillation. I thought it was good enough to remember.”